Have you ever noticed the “A” setting on the ISO dial on your Canon DSLR? “A” stands for auto ISO. Some people love it, some people hate it. Most people don’t fully understand it (and maybe that is why they hate it in the first place!). In this blog post I will try to explain where auto ISO makes perfect sense (and where it does not).
What people tend to think of auto-ISO
Photographers who were active in the analog film times and have no technical background, often think of auto-ISO as something that simply shouldn’t be allowed. They all but call it blasphemy to have this feature on a camera. For all they know, the ISO value is the sensitivity of your film roll, something you carefully choose before a shoot and live with during that shoot. But the fact of the matter is, that in digital cameras the ISO value is nothing more than a signal amplifier inside your camera, just like your stereo if you will. And with that… The camera can so easily change this while shooting. The people at Canon figured… So why not have the ISO setting determined by the light metered from the camera? And so auto-ISO was born.
Auto ISO is actually an extremely useful feature, and it makes perfect sense from a technical perspective. I’m sorry for those who say letting the camera change ISO as you shoot is unnatural and should be removed from the camera’s list of features… I think it is the one single thing that will get you the technical optimum for your gear while not going “manual everything” with all of its limitations in agility.
How auto ISO works and some quirks
We’ll get to how auto-ISO works in a minute. First I need to address this “weird behavior” of the “400 ISO thingy”: People often use auto-ISO in conjunction with Av or Tv, without really knowing what they are actually doing from a technical standpoint. Sure they set this mode with some target in their minds, but at the same time they give the body some “freedom” you should not give the camera most of the time. As a result, a lot of Canon bodies may “just decide” to click to 400 ISO for no apparent reason. But is there really no reason why it does this?
Let’s take a look at Av and Tv modes:
- In Av mode, you SET the aperture and the camera meters light and calculates the correct shutter speed for you;
- In Tv mode, you SET the shutter speed and the camera meters light and calculates the correct aperture.
Makes perfect sense so far right? We fix one variable, and the camera uses light metering to set the second one for us.
But when we enable auto-ISO in either of these modes, all of a sudden we now have TWO variables the camera can set. So what should the camera do? Let’s take Av as an example: You SET the aperture, and the camera meters light. But now it could adjust the ISO and/or the shutter speed. So which one to choose?
In the consumer/prosumer bodies there is some compromise / default used that should work “in most circumstances”. That is where the 400 ISO comes in. In more expensive bodies you get more features to deal with this. Not sure how far that goes… Never owned a 1D body, but just to throw in a nasty one: what happens to a 1D when you set bracketing in M mode with auto-ISO enabled…???
The 400 ISO was probably chosen because it is the most sensitive setting in which most/any DSLR body generates very acceptable images still. I like to think of it that Canon kindly reminds us that we really should make up our minds, and chooses the “safest ISO” they could think of.
How to properly use auto ISO with full control
So how to go about this “400 ISO feature”? The answer is simple: Make sure the camera only has ONE variable to vary… Also known as “M” or Manual mode. In manual mode, you fix both aperture and shutter speed, and the camera then varies the ISO until the image is properly exposed.
Canon almost got this right; because if I look at it from a pure technical perspective, I should be able to preset under – or overexposure as well while in “M” with auto-ISO. That is something I really really miss; why can you preset for -1eV under exposure in Av and Tv mode, but not in M mode with auto-ISO enabled? This clearly shows one of two things: 1) That people at Canon do think out of the box, but at the same time are somewhat limited in their views, or 2) In the amount of work they are willing to put into modifying their software: before auto-ISO came about, M naturally did not have the ability to under/overexpose – it still hasn’t today. Hmmmm…. 😉
I myself use auto-ISO a lot, but always in manual mode. And here is why I use auto-ISO: As soon as you push the lens limits in any way it starts to make perfect sense. Imagine you have your gear, and for the shot you want to take there isn’t really enough light (I bet you never came upon that one right 😉 ). In this case you KNOW what shutter speed you’d need at a minimum (either because of the focal length and the fact you have or do not have IS on the lens), and/or because of the movement of the subject you want to capture. You also KNOW what aperture you’ll need. Either opened fully (as to catch most light), or stopped down to some value to increase lens quality or increase your Depth of Field (DOF).
Now that you have determined both your shutter speed and aperture, the “M” mode makes most sense. But now you have a new issue: What ISO to choose? Right now, auto-ISO should make more than perfect sense. The camera will figure this out for you. The technology is there, so why not use it. The result is images with absolute control for aperture and shutter speed, and the best-you-can-get ISO, meaning minimal noise.
Some examples where auto-ISO makes sense
Some examples where auto-ISO makes perfect sense. I’ll start off with the obvious ones, then I’ll move up to the less obvious ones which will show just how handy auto ISO can be.
Example 1: Shooting humming birds
I want to capture a hummingbird in flight with its wings nearly frozen. I know from previous shoots that I need to shoot with a shutter speed of 1/1600th. So I set my camera to Tv, 1/1600th, and estimate the ISO at 800. I come home with the perfect shot, taken at 1/1600th, ISO 800 and f/9.
But is this shot perfect? Let’s see how we would do on manual with auto-ISO: I know I need 1/1600th, and there really isn’t that much light. So I set the camera to “M”, 1/1600th and f/7.1 because I know my lens delivers tack sharp images from that aperture on. I also enable auto-ISO, and I return with the same, no an even more perfect shot taken at 1/1600th, f/7.1, ISO 400.
See where this is going? The second attempt delivered a shot not at 800 ISO, but at 400 ISO which rendered a much better image with far less noise (this is an actual example of me shooting with a 7D and a 100-400L).
Example 2: Wildlife capture in South Africa
I am shooting wildlife in Africa with my 100-400L and the amount of light is less than optimal. Again, this is where auto-ISO comes in: At 400mm I need to shoot at at least 1/800th. I choose f/7.1 as a minimum aperture because the 100-400L is only REALLY sharp from that aperture on. So I set my camera to manual using these settings. But now I have no ability to adjust the exposure.
Auto-ISO will fix this for me: It will raise the ISO, but no further than needed, and it will do so dynamically. So more light means less noise, less light means more noise, but still it is the technical optimum of what my gear can handle.
I hear some people saying: Just use a faster lens. A 400mm f/2.8 would have allowed you to decrease the ISO, and a better body to match it will decrease the noise further down at that ISO. Even though that is very true, there still is the technical optimum to achieve: a faster lens “would allow me to lower the ISO” – so why not have the camera lower the ISO for you automatically??
Another way of getting to this “optimum technical setting”
Another option that would solve this puzzle (but in a slightly different way) would be if I could tell the camera to for example “never go under 1/800th” and use Av, or “never go under f/7.1” and use Tv. I used to think THAT would be the killer feature for me to have that would allow me to have an auto-metered perfect shot. But as it turns out… Auto ISO is actually a smarter one.
Because even if the camera could “clip” the shutter speed and aperture I’d still have to fix my ISO value to “something that makes sense”, which means whatever I choose there, I will probably either get more noise than required (when I set my ISO too high), or an aperture/shutter speed that I did not really want to get (when I set my ISO too low meaning under exposure).
Conclusion
In my opinion, auto-ISO is a great feature when used in “M” mode. And as soon as you know the limitations of your gear. It is SO important that you know this. Shutter speeds are ruled by lens focal length and the optional IS feature, and/or by movement of the subject. Aperture is ruled by lens quality (“from aperture x the lens is tack sharp”), or a required DOF (also see my DOF calculator)
With auto ISO you can then auto meter and get away with the lowest ISO possible. This “lowest ISO” has the same advantage for any camera (or camera brand for that matter): Higher ISO means more noise. So the lower ISO you can get away with, you should. Auto-ISO makes exactly this possible, the easy way.
Hi Erik (I know you from the LinkdIn Group)
Just read your article on Auto ISO, found it most interesting since I never realised you could use it in Manual setting. I understand what you say and the reasoning by using the ideal shutter speed plus Aperture for the TYPE of shot with a particular lens, letting the ISO sort itself out, brilliant.
I’m going to a Bird shoot (feathered variety) tomorrow, loads of fast moving flying owls, hawks, falcons etc and will try this method out, probably using f8 and 1/1000 to start and see what happens. I will be using a Canon 70D with the 100/400l lens and know that the 70d I’d usually ok up to around ISO 1600, provided the exposure is spot on to keep the noise under some control so ——–.
We will see and I will come back to you and let you know how I get on.
Regards
Yep, that is the way I (almost) always go when shooting wildlife. I use the 7D with the 100-400L, very similar to your setup. Manual+auto ISO works well until you shoot with the sky as a background. Then you’d need to be able to correct the light metering like you can in Av and Tv. NOT in M(anual) and I hate that limitation. I suspect at Canon they still lack some insights or it is buried in the firmware too deep to allow M(anual) mode to have lighting correction. I often program a C-mode on the dial especially for shooting against the sky. Usually that setting is quite static and if a bird flies high you can go from M to C1 quickly and fire away.
Had a good day at the Bird shoot on Sunday. Using the manual + auto ISO has increased my my hit rate by at least 100% for sharp shots because there’s much less to think about and you can concentrate on tracking the bird and maintaining focus. I will be putting some of my best shots on the FlikR site, maybe next weekend so you can see the results.
Thinking about this method, I’m sure it can be used for many other types of shooting as well were it’s not normally required to do any exposure compensation like Street Photography etc as well.
I wonder what % of photographers are not aware that you can use the auto ISO in this this way with manual? It now seems a nobrainer to me when you have a reasonably recent DSLR etc with good noise control on high ISO levels.
Regards
Yep. I use M(anual) plus AUTO ISO all the time… As soon as you push your setup to the limit of what it can do, you know the speed you need to shoot at, you know the aperture you need to have… Figures that the only thing left you need the camera to do is… Auto amplification aka auto ISO.
Too bad Canon’s are not able to have exposure correction set in advance for this shooting mode. Another thing to think about, is that at some point the camera cannot go higher in ISO (in some cameras you can limit this) but also in lower ISOs. It is easy to get overexposed shots in this mode, or shoot at less-than-optimal settings for the scene. For example, if you shoot wildlife and decide you need 1/400th at f/7.2 as a minimum, you could end up with shots at 100 ISO where you may have wanted 1/800th, f/9 at 400 ISO (just as an example).
The only more-optimal shooting mode I have found sits in Magic Lantern software. In that software you can actually build curves that will change all settings as you go from dark to light scenes. Very complex though (haven’t really dug into that).
Yes I have to admit I have seen a number of shots that are either a stop under or over exposed but found it not a problem since the DR on the 70D allows LR to adjust ok. I set a limit of 1600 on the ISO and running back thru shots only saw a couple that went that high. I thought this over/under May be due to a lag in the ISO adjusting when in high burst mode, a bit like when the auto tracking can’t keep up. Maybe the same cure is applicable: only shoot say 3 shots then stop for a second while still tracking then repeat etc? Problem is its a bit difficult to apply when you are actively after THAT shot in full flight!!
“Magic Lantern” ? Never heard of it!!
Back in the days (older firmwares) the 7D would only shoot about 1,5 seconds in burst mode – If you’re looking for a “3 shot” setting on your camera, you could try to set it to HDR with only 1/3rd eV difference. In that mode your camera will speed through three shots – Slightly different in lighting – and then stop. Press again and you will get another three (or maybe five like in my 6D). It could help if you haven’t got the mind control to do that manually 🙂
Magic Lantern is something for “those who dare”. It is software that runs next to / on top of the cameras firmware INSIDE the camera. It loads from your memory card at camera start. Somewhat scary, as there is no warranty. Yet I’ve been running a nightly build (which can be twitchy) on my 6D and *love* it’s features. There are stable release builds for some cameras, but only experimental nightly builds for the 6D. I haven’t seen a build for the 70D though. That camera is just too new I guess (aka no one has the cycles / hardware to work on a 70D version).
Even though you cannot use it today, you could check out ML here: Magic Lantern Site
By the way Erik my FlikR username is Bluesman230443 – have a look, I just put a follow on yours!
Ah that is you 🙂 Haven’t found the time, but will be checking out your stuff. Need to work on Flickr, haven’t updated it in a while and some images I thought were cool a few years ago… And need to go by today’s standards 😉
Had a good look thru your FlickR page last night, very nice and favourited quite a few.
Reggarsd
Thanks. Definitely need to work on my stuff on Flickr. Some are dated (and shouldn’t be on there any more as my standards keep rising 😉 ). I’ll be leaving for Costa Rica shortly for a 3,5 week travel there. Could be the perfect time to update my Flickr stuff 😉
Mind you, don’t forget that you don’t really have a storage problem anymore since they seriously updated the amount per account.
True. But I want to get away from sharing out 1000 images. There is more strength in 50 killer ones 🙂
I will have a look at Magic Lantern and see what I can do; I’ve also got a 6D (had it about 18 months) for landscapes etc and ended up getting the 70D for the “fast” stuff (7/sec vs 3.5 to 4/sec) and the 1.6 x boost on my 100/400L
Re the HDR 3 shot deal, does that work in manual+ Auto ISO? I doubt it cos the compensation doesn’t seem to do anything at all when Manual, as you say, is selected but maybe this is a work around and also helps with the high speed burst issue?
Uhm… Probably true. I may mix up things, haven’t tried it. There could be a Magic Lantern function for this, but I am not sure. Be careful when installing Magic Lantern; it is not for the faint hearted :O
OK I have been warned: I will be very carefully!!!
Have a good trip to Costa Rica.
Thanks 🙂
Hi Erik, processed some of my Bird Shoot photos and their top of the pile on my FlickR stream.
I’m getting on quite well with the manual/auto ISO method and, as you, I’m finding it quite good for most situations.
Let me know what u think of the photos.
Oh yes, and hope the trip went ok!
Regard
Colin
Hi Colin,
Back from Costa Rica and the trip was great! Saw (and photographed) a lot of wildlife. Too bad my ring flash died a week before the trip was over though 🙁 I have your Flickr account open in a tab… Looked at it briefly and like some images a lot. Saw you’re friendly with the falconeers… That is almost a cue for great images.
Favorite quote from my trip to Costa Rica: “This man from National Geographic came. Wanted to photograph my red eyed frogs.”. And I found my own in the jungle… Owww yeah >:)
Pleased you had a good trip; look forward to see some of them on Flickr.
Ref your dead ring flash, I obtained a JJC Macro LED Ring Light a few weeks ago and find it does an excellent job plus it’s well made but only cost around £30 here.in the UK.
Apart from Macro it’s also useful when you need a bit of light off the camera hand held to the side and you can see the shadows effects etc b4 taking the shot. It runs on 4 AA batteries on one charge last around 7 hours! I suppose it’s available over in Holland.
I have a Sunblitz LED ringlight sitting here, but I found it to be way to weak… Normally shooting at 1/125th or 1/160th at f/11, the LEDs do not even seem to make a difference when turned on. My dead macro flash was usually operated at only 1/4th of its output power… I will dig it up and play with it, but I think it will be no match for a flash.
I have to say that my led ringlight is powered by ordinary white leds, not the modern Cree (and alike) leds. What kind of leds does yours use, and at what camera settings are you typically able to shoot?
Colour Temp of light is 6000 and my shots are normally 125/250th at f8 & ISO upto 400.
Device enable amount of light to be turned up and down so you hav good adjustment.
Indication of the amount of light is that I can walk about in pitch darkness in the night with it at its lowest level so the output is very good.
I was at first a bit sceptical but thought that for £30 it was a no brainier and I was not disappointed.
This sheds new light on led ring lights 😉 I will surely be looking at my Sunblitz ringlight once more, and will be considering getting a ore powerful one. For now I have my eyes on the Nissin MF-18. I also have a Nissin Di866mkII reporting flash unit and I *love* it. The MF-18 seems to have it all; independently configurable flash heads and all. Maybe get both the Nissin and a ring light *evil grin*.
Btw which JJC is that? I see two versions with 48 leds and a 60 led version… I like the 60 led version as it has no controller/battery on the camera which leaves the hotshoe open for more creative lighting stuff 😉
It’s the 60 version.
Yes it’s very convenient to use cos there’s no cables etc and its comes with a number of step up/ down lens adapters similar to those for Cokin Filter Holders. I think I got mine from SRB Griturn inthe UK who make loads of adapters etc and specials at very reasonable prices, I’m sure they already ship to the EEC, have a look.
I’m thinking to get the 60 led version. Then a mount that has two flexible arms with two hotshoes (I have cable remotes)… Then get two led video lights. Then get two small flash units… Then get the Nissin MR-18… Ow wait I’m getting carried away again 😉
I think I’ll write up a post on all the different solutions I found so far to properly light macro scenes.
Talking about flexible arms, some time ago I was given ANO macro lighting device which consists of a mount for he hot shoe, 2 flexible arms each of which has an LED on the end. It runs of CR2025 flat batteries and has 2 separate lighting levels for each one so you get ll the options including light from one side only etc etc.
It’s not bad in reasonable light and takes up only the space of a small slim pair of reading glasses.
I do use it quite often but it’s not as convenient as the Ring Light: Apparently it came from the shop at the EOS Magazine in the UK.
Seen that one as well. In fact, it is manufactured by JJC as well I think:
http://www.jjc.cc/products_info.asp?id=1018&cid=101&pid=101&s_series=all
I didn’t realise it was a JJC Product! It’s quite useful and well made again.